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Pablo Ruiz Picasso [a] [b] (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, ... In 1897, his realism began to show a Symbolist influence, for ...
Picasso's Blue Period began in late 1901, following the death of his friend Carlos Casagemas and the onset of a bout of major depression. [4] It lasted until 1904, when Picasso's psychological condition improved. The Rose Period is named after Picasso's heavy use of pink tones in his works from this period, from the French word for pink, which ...
Woman Ironing (French: La repasseuse) [1] is a 1904 oil painting by Pablo Picasso that was completed during the artist's Blue Period (1901—1904). This evocative image, painted in neutral tones of blue and gray, depicts an emaciated woman with hollowed eyes, sunken cheeks, and bent form, as she presses down on an iron with all her will.
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Frida Kahlo's Symbolist works also relate strongly to Surrealism and to the Magic Realism movement in literature. The psychological drama in many of Kahlo's self-portraits (above) underscore the vitality and relevance of her paintings to artists in the 21st century. Pablo Picasso, 1937, Guernica, protest against Fascism
Child with a Dove (French: L'enfant au pigeon), also described as Child Holding a Dove, Child with a Pigeon is an oil-on-canvas painting by the Spanish artist Pablo Picasso, which he created in 1901 at the start of his Blue Period. The painting is a depiction of a young girl in a white dress holding a white dove, and represents an important ...
At the start of 20th-century Western painting, and initially influenced by Toulouse-Lautrec, Gauguin and other late-19th-century innovators, Pablo Picasso made his first Cubist paintings. [6] Picasso based these works on Cézanne's idea that all depiction of nature can be reduced to three solids: cube, sphere and cone. [7]
Pepe Serra, director of Museu Picasso commented on Picasso's early display of artistic talent stating, "In 1897, when he painted Science and Charity, Picasso did not yet exist. This is a work by Pablo Ruiz, a boy of only fifteen who was already extraordinarily gifted technically for painting". [5]
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