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Odilon Redon was born in Bordeaux, Aquitaine, to a prosperous family.Redon's father made his fortune in the slave trade in Louisiana in the 1830s. [1] Redon was conceived in New Orleans and the couple made the transatlantic journey back to France while his mother Marie Guérin, a French Creole woman, was pregnant with his brother Gaston. [1]
The Cyclops (Le Cyclope in French) is a painting by Odilon Redon that depicts the myth of the love of Polyphemus for the naiad Galatea. It was painted in oils on board, then mounted on wood, and is now in the Kröller-Müller Museum in the Netherlands. [1] The painting has been variously dated between 1898 and 1914.
The first year of the Watson/Thayer Dial alone saw the appearance of Sherwood Anderson, Djuna Barnes, Kenneth Burke, William Carlos Williams, Hart Crane, E. E. Cummings, Charles Demuth, Kahlil Gibran, Gaston Lachaise, Amy Lowell, Marianne Moore, Ezra Pound, Arthur Wilson later known as Winslow Wilson, Odilon Redon, Bertrand Russell, Carl ...
En rade (English: Becalmed, A Haven or Stranded) is a novel by the French writer Joris-Karl Huysmans.It first appeared as a serial in the magazine Revue Indépendante between November 1886 and April 1887.
The Chariot of Apollo (1905–1914), by Odilon Redon, Musée d'Orsay, Paris. Odilon Redon was a pupil of Stanislas Gorin, Jean-Léon Gérôme, Rodolphe Bresdin and Henri Fantin-Latour. [61] He developed a fantastic and dreamlike subject matter, influenced by the literature of Edgar Allan Poe, which largely preceded surrealism.
Oannès – Adapa from Odilon Redon in the Kröller-Müller Museum. Adapa was a Mesopotamian mythical figure who unknowingly refused the gift of immortality.The story, commonly known as "Adapa and the South Wind", is known from fragmentary tablets from Tell el-Amarna in Egypt (around 14th century BC) and from finds from the Library of Ashurbanipal, Assyria (around 7th century BC).
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Pandora, Odilon Redon's c. 1914 oil painting depicting Pandora as an innocent Eve. Another point to note about Calderón's musical drama is that the theme of a statue married by her creator is more suggestive of the story of Pygmalion. The latter is also typical of Voltaire's ultimately unproduced opera Pandore (1740). [54]
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