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Robert E. Wood (born 22 May 1971) is a Canadian fine artist and author. He specializes in representational landscape paintings, which focus on the Rocky Mountains, lakes, rivers and forests of Alberta and British Columbia. Wood's diverse subject matter also includes street scenes, still life and floral subjects, among others. He has been ...
Early Christianity used the same artistic media as the surrounding pagan culture. These media included fresco, mosaics, sculpture, and manuscript illumination. Early Christian art used not only Roman forms but also Roman styles. Late classical style included a proportional portrayal of the human body and impressionistic presentation of space.
The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity. In the early Church, Christians used the Ichthys (fish) symbol to identify Christian places of worship and Christian homes. [1]
The use of religious images in general continued to increase up to the end of the 7th century, to the point that in 695, upon assuming the throne, Byzantine emperor Justinian II put an image of Christ on the obverse side of his gold coins, resulting in a rift which ended the use of Byzantine coin types in the Islamic world. [9]
Robert William Wood (March 4, 1889 – March 14, 1979) was an American landscape painter. [1] He was born in England, emigrated to the United States and rose to prominence in the 1950s with the sales of millions of his color reproductions. [ 2 ]
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
As in other religious subjects, after Tiepolo and his Spanish imitators, the momentum in producing religious art was lost. [25] However, the depiction of the Resurrection continues to be a major theme in Christian churches, e.g. as in the 19th-century Rosary Basilica in Lourdes, France.
Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...