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The scale degree chords of A minor are: Tonic – A minor; Supertonic – B diminished; Mediant – C major; Subdominant – D minor; Dominant – E minor; Submediant – F major; Subtonic – G major
But this rule not only applies to major or minor chords, but also to seventh chords. For example, in the key in E minor, the tonic chord (E, G, B) becomes an E minor seventh chord (E, G, B, D), if the fourth note (D) is added to the triad. This applies to all other chords in the scale. [1] A mnemonic also exists in the circle of thirds.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The Phrygian dominant scale (a mode of the harmonic minor scale) The Arabic scales; The Hungarian minor scale; The Byzantine music scales (called echoi) The Persian scale; Scales such as the pentatonic scale may be considered gapped relative to the diatonic scale. An auxiliary scale is a scale other than the
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
An A-minor scale has the same pitches as the C major scale, because the C major and A minor keys are relative major and minor keys. A minor chord has the root and the fifth of the corresponding major chord, but its first interval is a minor third rather than a major third:
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The instrumentalist improvising a solo may use scales that work well with certain chords or chord progressions, according to the chord-scale system. For example, in rock and blues soloing, the pentatonic scale built on the root note is widely used to solo over straightforward chord progressions that use I, IV, and V chords (in the key of C ...
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