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The posing, state of dress, and appearance of the people on the clinch cover is informed by the politics of the era, such as the women's liberation movement. [ 2 ] [ 5 ] [ 6 ] Though the clinch cover usually features a white, heterosexual couple, the style has been used for other book pairings as well.
Slipstream is a literary press, founded in 1980 in Niagara Falls, New York, that publishes poetry and short fiction by both new and established writers.Charles Bukowski, Sherman Alexie, Gerald Locklin, Wanda Coleman, Lyn Lifshin, David Chorlton, J.P. Dancing Bear, and Terry Godbey are among the many writers whose work has appeared in the pages of Slipstream magazine.
Women's fiction edition of Ms. magazine in 2002. Women's fiction is an umbrella term for women-centered books that focus on women's life experience that are marketed to female readers, and includes many mainstream novels or women's rights books. It is distinct from women's writing, which refers to literature written by (rather than promoted to ...
Lescure’s novel, River East, River West, reverses what readers might expect of an immigrant narrative.Set during China's economic boom in the latter half of the 20th century, the book examines ...
The journal's original title (1975-2006) Room of One's Own came from Virginia Woolf's essay A Room of One's Own.In 2007, the collective relaunched the magazine as Room, [7] reflecting a more outward-facing, conversational editorial mandate; however, the original name and its inspiration is reflected in a quote from the Woolf essay that always appears on the back cover of the magazine.
Historical book cover design gallery (archived 10 January 2007) The Art of Penguin Science Fiction – the history and cover art of science fiction published by Penguin Books from 1935 to the present day; Thomas Bonn Collection of Publishers Interviews – more than 100 audio interviews with publishers, art directors, etc. on the topic of cover art
As an emerging genre, slipstream has been described as nonrealistic fiction with a postmodern sensibility, exploring an awareness of societal and technological change and psychological breakdown previously shown by science fiction authors during the time of postmodernism, as well as poets and experimental authors in modernism. [11]
The magazine was first published in 1984 by Debi Sundahl and Myrna Elana, with the contributions of Susie Bright, Nan Kinney, Leon Mostovoy, Honey Lee Cottrell, Dawn Lewis, Shelby Sharie Cohen, Happy Hyder, Tee Corinne, Jewelle Gomez, Judith Stein, Joan Nestle, Patrick Califia, [2] Morgan Gwenwald, Katie Niles, Noreen Scully, Sarita Johnson ...
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