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Neutrality is distinct (though not exclusive) from apathy, ignorance, indifference, doublethink, equality, [6] agreement, and objectivity. Apathy and indifference each imply a level of carelessness about a subject, though a person exhibiting neutrality may feel bias on a subject but choose not to act on it.
Dante passes through the gate of Hell, which bears an inscription ending with the phrase "Lasciate ogne speranza, voi ch'intrate ", [17] most frequently translated as "Abandon all hope, ye who enter here". [nb 1] Dante and his guide hear the anguished screams of the Uncommitted. These are the souls of people who in life took no sides; the ...
Dante's orderly hell is a representation of the structured universe created by God, one which forces its sinners to use "intelligence and understanding" to contemplate their purpose. [15] The nine-fold subdivision of hell is influenced by the Ptolemaic model of cosmology, which similarly divided the universe into nine concentric spheres.
Dante Alighieri (Italian: ... tomb in Florence reads Onorate l'altissimo poeta —which roughly translates as "Honor the most exalted poet" and is a quote from the ...
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
Inferno is the first section of Dante Alighieri's three-part poem Commedia, often known as the Divine Comedy.Written in the early 14th century, the work's three sections depict Dante being guided through the Christian concepts of hell (Inferno), purgatory (), and heaven (). [2]
Plutus in Divina Commedia, in an engraving by Gustave Doré. " Pape Satàn, pape Satàn aleppe" is the opening line of Canto VII of Dante Alighieri's Inferno.The line, consisting of three words, is famous for the uncertainty of its meaning, and there have been many attempts to interpret it.
Dante was a friend of Charles Martel of Anjou, pretender to the Hungarian throne, who was surrounded by Hungarian courtiers and clergymen. There Dante perhaps became familiar with the Hungarian chronicle tradition. [10] Salomone Jona [11] provided in 1864 the following interpretation, endorsed by Flaminio Servi [12] and by Giancarlo Lombardi: [13]