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A diagram of monaural sound. Monaural sound or monophonic sound (often shortened to mono) is sound intended to be heard as if it were emanating from one position. [1] This contrasts with stereophonic sound or stereo, which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of ...
Numerous early two-track-stereo reel-to-reel tapes as well as several experimental stereo disc formats of the early 1950s branded themselves as binaural, however they were merely different incarnations of the above-described stereo or two-track mono recording methods (lead vocal or instrument isolated on one channel and orchestra on the other ...
In the 1960s and early 1970s it was common practice for recording engineers and producers to create separate mono and stereo mixes of the same record. This was due, in part, to the center channel buildup issue. However, other technical concerns with the differences between stereo and mono record playback also influenced this decision.
One example of the use of M/S stereo is in FM stereo broadcasting, where + modulates the carrier wave and modulates a subcarrier. This enables backwards compatibility with mono equipment, which will only require the mid channel. [2] Another example of M/S stereo is the stereophonic microgroove record. Lateral motions of a stylus represent the ...
Duophonic sound was a trade name for a type of audio signal processing used by Capitol Records on certain releases and re-releases of mono recordings issued during the 1960s and 1970s. In this process monaural recordings were reprocessed into a type of artificial stereo. Generically, the sound is commonly known as fake stereo or mock stereo ...
Until the mid-1960s, record companies mixed and released most popular music in monophonic sound. From mid-1960s until the early 1970s, major recordings were commonly released in both mono and stereo. Recordings originally released only in mono have been rerendered and released in stereo using a variety of techniques from remixing to pseudostereo.
There are time differences between the mono and stereo editions of the album, with several of the tracks edited for space in the stereo version. ... 2:18 (mono) 1:23 ...
Whether working in an analog hardware, digital hardware, or DAW mixing environment, the ability to pan mono or stereo sources and place effects in the 5.1 soundscape and monitor multiple output formats without difficulty can make the difference between a successful or compromised mix. [21]
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