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There was little use of hydraulic mortar after the Roman period until the 18th century. Plaster decoration was widely used in Europe in the Middle Ages where, from the mid-13th century, gypsum plaster was used for internal and external plaster. Hair was employed as reinforcement, with additives to assist set or plasticity including malt, urine ...
This 'new' plaster conformed well to the aesthetic requirements dictated by the classical ideal that in the 15th century had recently become fashionable in the Venetian lagoon area. The first record of work being done with marmorino is a building contract with the nuns of Santa Chiara of Murano in 1473.
The Jack S. Blanton Museum of Art (often referred to as the Blanton or the BMA) at the University of Texas at Austin is one of the largest university art museums in the U.S. with 189,340 square feet devoted to temporary exhibitions, permanent collection galleries, storage, administrative offices, classrooms, a print study room, an auditorium, shop, and cafe.
The Dallas Museum of Art (DMA) is an art museum located in the Arts District of downtown Dallas, Texas, along Woodall Rodgers Freeway between St. Paul and Harwood. In the 1970s, the museum moved from its previous location in Fair Park to the Arts District . [ 1 ]
The architecture of the U.S. state of Texas comes from a wide variety of sources. Many of the state's buildings reflect Texas' Spanish and Mexican roots; in addition, there is considerable influence from mostly the American South as well as the Southwest. Rapid economic growth since the mid twentieth century has led to a wide variety of ...
The Caddo inhabited the Dallas area before it was settled by Europeans. All of Texas became part of the Spanish Viceroyalty of New Spain in the 16th century. The area was also claimed by the French, but in 1819 the Adams-Onís Treaty officially placed Dallas well within Spanish territory by making the Red River the northern boundary of New Spain.
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Stapleton associated with the master builder, Robert West, the progenitor of the Dublin School of Plasterwork of the 1760s. When West died Stapleton was his executor. He inherited his pattern books and both modelled himself on, and refined the style of, this central figure in the shaping of architecture and design in Dublin and in the country.