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Comparison of the "To be, or not to be" speech in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto, the Good Quarto, and the First Folio. "To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1).
Comparison of the 'To be, or not to be' soliloquy in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto (Q1), the Good Quarto (Q2) and the First Folio. The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall ...
After its discovery in 1823, its initial editors typically took the view that Q1 was an early draft of the play, perhaps even a revision of the Ur-Hamlet, but John Payne Collier argued in 1843 that it was simply a bad version: a "pirated" text, one of the "stol'n and surreptitious copies, maimed and deformed by frauds and stealths of injurious impostors", which were denounced in the preface to ...
Hamlet Q1 (1603), the first published text of Hamlet, is often described as a "bad quarto".. A bad quarto, in Shakespearean scholarship, is a quarto-sized printed edition of one of Shakespeare's plays that is considered to be unauthorised, and is theorised to have been pirated from a theatrical performance without permission by someone in the audience writing it down as it was spoken or ...
Hamlet's first words in the play are a pun; when Claudius addresses him as "my cousin Hamlet, and my son", Hamlet says as an aside: "A little more than kin, and less than kind." [ 103 ] An unusual rhetorical device, hendiadys , appears in several places in the play.
Get ready for all of today's NYT 'Connections’ hints and answers for #580 on Saturday, January 11, 2025. Today's NYT Connections puzzle for Saturday, January 11, 2025The New York Times.
The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose:
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