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Portrait of an Old Woman, c 1480, 26.5 x 17.8cm (14.6 × 10.6in). Museum of Fine Arts, Houston. Portrait of an Old Woman is a small oil on wood panel painting by the Early Netherlandish painter Hans Memling, completed c 1475–80, and in the collection of the Museum of Fine Arts, Houston, Texas, since 1944. The panel has obviously been cut down ...
In 2000 the portrait was sold at Christie's in London as a portrait of the wife of the theologian Johannes Sylvius for nearly 20 million pounds. [5] Aeltje Pietersdr Uylenburgh lived in the minister's residence of the Oude Kerk and was the daughter of Saskia van Uylenburgh's uncle Pieter, making them first cousins, though Aeltje was a generation older and probably served as a guide for the 21 ...
American heiress, artist, and art collector [31] Edna Clarke Hall: 1879–1979: 100: British artist and poet [32] Alphaeus Philemon Cole: 1876–1988: 112: American painter [33] Horacio Coppola: 1906–2012: 105: Argentine photographer and filmmaker [34] Robert Couturier: 1905–2008: 103: French sculptor [35] Trevor Dannatt: 1920–2021: 101 ...
The poignancy of the image is dramatized by the contrast between the man's weathered and wise face, and the child's delicate profile. While the composition is thematically related to portraiture from the Netherlands, by the mid-15th century the motif of a portrait in an interior with a landscape seen in the distance was common in Italy. [1] [4]
Leo Fox was the son of an artist who died in 1944. He became a well-connected art dealer in Miami and Long Island. In 1943 Fox proposed that Congress set up a government portrait commission. [2] Starting in the 1950s Leo Fox began to commission Resnikoff to paint portraits of prominent Americans under the pseudonym "Charles J. Fox". [1] "
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This video certainly supports that theory! The young horse can become enthralled by something as simple as blowing air or a pile of dirt (his favorite to roll around in), which keeps Molly Jo on ...
In the image, two elderly figures loom forward from a black background; although they are assumed to be men, their gender is not readily apparent. The mouth of the left figure is drawn into a grimace, possibly from lack of teeth. In stark contrast to this animated expression, the face of the other figure hardly seems alive at all.