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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
It is a division of the Roland Corporation, a Japanese manufacturer that specializes in musical equipment and accessories. For many years Boss has manufactured a wide range of products related to effects processing for guitars, including "compact" and "twin" effects pedals, multi-effect pedals, electronic tuners and pedal boards .
The Roland MC-808 requires a USB connection to a computer for full patch editing, unlike the Roland MC-909. (However, the OS v1.03 update available on the Roland website allows for some patch editing without a computer, most notably sample chopping, including auto-chop.)
The Roland Juno-60 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1984. It followed the Juno-6 , an almost identical synthesizer released months earlier. The Juno synthesizers introduced Roland's digitally controlled oscillators , allowing for greatly improved tuning stability over its competitors.
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The majority of his clean tones come from a Roland JC-120 Jazz Chorus Guitar Amplifier, although many different amplifiers have been used over the years. In December 2011, it was announced by Fortin Amps that they would team up with Randall Amplifiers to start a new line of tube amplifiers based on the Fortin Meathead amplifier.
The Roland XP-50 is a music workstation that combines the synthesizer engine of Roland's JV-1080 sound module with the sequencing capabilities of their MRC-Pro sequencer and a 61-note keyboard. First released in 1995, the XP-50 and the Roland XP-10 were the first two Roland XP-series products, later joined by the XP-80 and XP-30.
In 1973, Roland released the RE-100 and RE-200 tape delay units, which used a short 1/4" tape loop. [1] In 1974, Roland released the first Space Echo units in two models: the RE-101 and the RE-201, which also included spring reverb. [1] Instead of the tape reel used in previous tape echo units, the Space Echo uses a free-running tape transport ...