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The same year, Stefanelli landed her breakout role as the innocent Apollonia Vitelli-Corleone, the beautiful but doomed first wife of Michael Corleone in the American crime film The Godfather, directed by Francis Ford Coppola. She was shown topless, although she was 16 years old when the production began and 17 when the film came out.
Apollonia Corleone (née Vitelli) is a fictional character in Mario Puzo's novel The Godfather. She is portrayed by Simonetta Stefanelli in the film adaptation of the same name. She also appears in flashbacks in The Godfather Part III. Apollonia is a young Sicilian woman of Greek descent born in 1931 who meets Michael Corleone during his exile ...
The first sequence shot for the film was the wedding of Don Vito Corleone's ... When the time came to shoot Michael's wedding to Apollonia Vitelli (Simonetta Stefanelli) in Sicily, Coppola was ...
In 1945, the New York City Corleone family don, Vito Corleone, listens to requests during his daughter Connie's wedding to Carlo Rizzi.Vito's youngest son Michael, a Marine and World War II hero who has thus far stayed out of the family business, introduces his girlfriend Kay Adams to his family at the reception.
Michael Corleone is a fictional character and the protagonist of Mario Puzo's 1969 novel The Godfather. In the three Godfather films, directed by Francis Ford Coppola, Michael was portrayed by Al Pacino, for which he was twice-nominated for Academy Awards. Michael is the youngest son of Vito Corleone, a
The Godfather Part III is a 1990 American epic crime film produced and directed by Francis Ford Coppola from the screenplay co-written with Mario Puzo.The film stars Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton and Sofia Coppola.
Kay Adams-Corleone and Connie Corleone (Talia Shire) are the only female characters who are well-represented in The Godfather media. [2] In the opening wedding scene of The Godfather, Kay is the only female character who "speaks more than a few lines, and she only then asks questions", [3] which serve as a means to provide exposition about the male members of the family who dominate the story.
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