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Mussorgsky in 1874. Songs and Dances of Death (Russian: Песни и пляски смерти, Pesni i plyaski smerti) is a song cycle for voice (usually bass or bass-baritone) and piano by Modest Petrovich Mussorgsky, written in the mid-1870s, to poems by Arseny Golenishchev-Kutuzov, a relative of the composer.
The bass singing voice has a vocal range that lies around the second E below middle C to the E above middle C (i.e., E 2 –E 4). [1] As with the contralto singing voice being the rarest female voice type, the bass voice is the rarest for males, and has the lowest vocal range of all voice types. [2]
This is a list of compositions by Alan Hovhaness (1911–2000), ordered by opus number. [1] [2] Composition dates shown in Roman font are as given at Hovhaness.com, [3] while conflicting dates from Kunze [4] or New Grove [5] are shown in italics.
Song to the Sleeping Lady: for voice and piano: words by George MacDonald: Vocal: 19: 1901–1902: The Ballade of Prince Eric: for voice and piano: words by Fritz Hart: Vocal: 25: 1897: A Lake and a Fairy Boat: for voice and piano: 2nd setting; words by Thomas Hood: Vocal: 26: 1897: Sing Heigh-Ho! for voice and piano: 2nd setting; words by ...
The term baritone was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.
TEAM NIALL: Gina Miles vs. Kala Banham, “Skinny Love” Kelly called this song choice — more inspired by the Birdy remake than by the Bon Iver original — “smart,” which it was.
"Slap That Bass" is a song composed by George Gershwin, with lyrics by Ira Gershwin, introduced by Fred Astaire and Dudley Dickerson in the 1937 film Shall We Dance. [ 3 ] The song refers to the slap style of double bass playing that was popular at the time.
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