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In the Greek language, the term for icon painting uses the same word as for "writing", and Orthodox sources often translate it into English as icon writing. [ 1 ] Eastern Orthodox tradition holds that the production of Christian images dates back to the very early days of Christianity , and that it has been a continuous tradition since then.
Modern Greek art, after the establishment of the Greek Kingdom, began to be developed around the time of Romanticism. Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art, inspired by revolutionary ideals as well as the country's geography and history.
The period of Byzantine Iconoclasm acted as a barrier to developments in the East, but by the 9th century art was permitted again. The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60]
Saint Menas by Emmanuel Lambardos (17th century). Cretan school describes an important school of icon painting, under the umbrella of post-Byzantine art, [1] which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th and 17th centuries.
The icon is considered by Orthodox Christians to be the patroness of Jerusalem. The commonly-held story regarding the origins of the Panagia Ierosolymitissa is that it miraculously appeared in the year 1870. This story became popular due to a leaflet released by the Greek Orthodox Patriarchate of Jerusalem verifying it. [19]
This is a list of Greek artists from the antiquity to today. Artists have been categorised according to their main artistic profession and according to the major historical period they lived in: the Ancient (until the foundation of the Byzantine Empire), the Byzantine (until the fall of Constantinople in 1453), Cretan Renaissance 1453-1660, Heptanese School 1660-1830 and the Modern period ...
Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
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