Search results
Results from the WOW.Com Content Network
The Algerian mandole is a stringed instrument, with an almond shaped body, built in a box like a guitar, but almond shaped like the mandola with a flat back, raised fingerboard, and wide neck (as a guitar's). [2] It can have eight, ten, or twelve strings in doubled courses, and may have additional frets between frets to provide quarter tones.
Samuel Adelstein described the Lombard mandolin in 1893 as wider and shorter than the Neapolitan mandolin, with a shallower back and a shorter and wider neck, with six single strings to the regular mandolin's set of 4. [35] The Lombard was tuned C–D–A–E–B–G. [35] The strings were fastened to the bridge like a guitar's. [35]
Jennings Chestnut, born in Conway, South Carolina, was an American luthier, specializing in mandolins. Despite his lack of formal training, Chestnut's mandolins became popular among bluegrass musicians in and around Conway. He began making mandolins when he could not afford to buy one for his oldest son. [1]
That variant is known today as the Milanese or Lombardic mandolin, and retains the mandore's tuning. The Italians also called it the mandora or mandola. The latter name is still used in the mandolin family for an alto or tenor range instrument. From the mandola, the baroque mandolino was created, which in turn became the modern mandolin. [8] [6 ...
The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [ 1 ] It has been independently invented in more than one country, variously being called mandolin-banjo, banjo-mandolin, banjolin and banjourine in English-speaking countries, [ 2 ] banjoline and bandoline in France ...
The standard cümbüş is fretless, but guitar, mandolin and ukulele versions have fretboards. The neck is adjustable, allowing the musician to change the angle of the neck to its strings by turning a screw. [3] One model is made with a wooden resonator bowl, with the effect of a less tinny, softer sound. [4]
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
The "foot" is on the bottom of the neck, and affords a large gluing surface to the back of the instrument. With neck-through, making the neck part of the body. This method is used on some solid-body electric guitars, where the piece of wood that is the neck runs the entire length of the instrument and is laminated to the rest of the body. This ...