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George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
Rivera used tonal variations in the black and white Zapata to similar effect as he did color in the painted murals he used as its source material. In the lithograph, the lightest areas in Zapata's white clothing and the white body of the horse he leads are sharply delineated against the dark background and the mid tones of the clothing of ...
[6] His illustrations attracted author Marguerite Henry, who later wrote, "I had just finished writing Justin Morgan Had a Horse, and wanted the best horse artist in the world to illustrate it. So I went to the library, studied the horse books, and immediately fell in love with the work of Will James and Wesley Dennis. When I found out that ...
The equine image was common in ancient Egyptian and Grecian art, more refined images displaying greater knowledge of equine anatomy appeared in Classical Greece and later Roman work. [3] Horse-drawn chariots were commonly depicted in ancient works, for example on the Standard of Ur circa 2500BC.
Tolkien's illustrations contributed to the effectiveness of his writings, though much of his oeuvre remained unpublished in his lifetime. However, the first British edition of The Hobbit in 1937 was published with ten of his black-and-white drawings. [1] In addition, it had as its frontispiece Tolkien's drawing The Hill: Hobbiton-across-the-Water.
Boy on a white horse, drawing by Theodor Kittelsen (1857-1914). Of the four elements, water is the one most often associated with the horse, [ 156 ] whether the animal is assimilated to an aquatic creature, linked to fairy-like beings such as Japan 's kappa , or mounted by water deities.
Pedettri examined the statue and took black and white photos of it, and in correspondence favorably compared the sculpture to drawings of horses done by Leonardo in the Windsor collection. [9] In 1982, Bassi sold the wax statue to a consortium headed by James Cadenhead and David Nickerson, director of Mallett at Bourdon House in London. [10]
Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper: 14.3 x 16.8 cm: Museum of Fine Arts, Boston: The drawing is related to the etching B158 : Three Men Being Beheaded: c. 1640: Pen and brown ink, corrected with white; framing lines in pen and brown ink: 15.3 x 22.6 cm: British Museum, London