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Image:Map of USA-bw.png – Black and white outlines for states, for the purposes of easy coloring of states. Image:BlankMap-USA-states.PNG – US states, grey and white style similar to Vardion's world maps. Image:Map of USA with county outlines.png – Grey and white map of USA with county outlines.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Chinese dragon mythology is the source of Japanese dragon mythology. Japanese words for "dragon" are written with kanji ("Chinese characters"), either simplified shinjitai 竜 or traditional kyūjitai 龍 from Chinese long 龍. These kanji can be read tatsu in native Japanese kun'yomi, [b] and ryū or ryō in Sino-Japanese on'yomi. [c] Many ...
Two other Japanese examples derive from Buddhist importations of Indian dragon myths. Benzaiten, the Japanese form of Saraswati, supposedly killed a five-headed dragon at Enoshima in 552. Kuzuryū (九頭龍, "nine-headed dragon"), deriving from the nagarajas (snake-kings) Vasuki and Shesha, is worshipped at Togakushi Shrine in Nagano Prefecture.
A triangular yellow field with a red border and a red disc in the center. 1602–1871: Flag of the Satsuma Domain. A horizontal bicolour of red and white. 1641–1854: Flag used in Dejima: A horizontal tricolor of red, white and blue. 1603–1868: Naval ensign of the Tokugawa Shogunate. [1] A bicolour flag consisting of three bands; white ...
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Zennyo Ryūō (善如龍王 or 善女龍王, lit. "goodness-like dragon-king" or "goodness woman dragon-king", respectively) is a rain-god dragon in Japanese mythology. According to Japanese Buddhist tradition, the priest Kūkai made Zennyo Ryūō appear in 824 AD during a famous rainmaking contest at the Kyoto Imperial Palace .
Nihonga (Japanese: 日本画) is a Japanese style of painting that uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting.
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