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The elliptical Bogomolny-Kozerefski Grand Foyer, the lobby for the main auditorium, is a mix of Classical Revival and Art Deco elements in a two-story space on the first and second floors, which features fluted red marble composite columns with gilded capitals, gilded trim, an ornate terrazzo floors, torchiere-style light fixtures, mural panels ...
The larger of two chandeliers, suspended from the second floor, is from the New York's original Waldorf Astoria, dating to the 1890s; [source needed] Made in the European style called “Maria Teresa”, it is thirteen feet tall and ten feet wide, and illuminated by 144 bulbs that reflect onto 4,500 hanging “Bohemian crystal” teardrops. A ...
In 2010, a chandelier of modern design was built in the foyer of an office building in Doha, Qatar. This chandelier has a height of 5.8 m (19 ft), width of 12 m (41 ft), length of 38 m (126 ft), and weight of 39,683 pounds (18 tonnes).
The main foyer, measuring approximately 2,250 square feet (209 m 2), had a 16 feet (4.9 m) high ceiling. The main restaurant, measuring approximately 3,500 square feet (330 m 2) had a ceiling 20 feet (6.1 m) high. The rotunda, also with a 20 feet (6.1 m) high ceiling, had 3,000 square feet (280 m 2) of space and seven chandeliers. [5]
The foyer opens onto an outside loggia and is flanked by two octagonal salons with ceilings painted by Jules-Élie Delaunay in the eastern salon and Félix-Joseph Barrias in the western salon. The octagonal salons open to the north into the Salon de la Lune at the western end of the Avant-Foyer and the Salon du Soleil at its eastern end. [37]
The ceiling of the foyer contains chandeliers, each of which contain four rectangular tiers of light bulbs spaced at regular intervals. [28] [29] According to Roche, the foyer's columns incorporate classical design elements, although the columns' design may have also been inspired by ancient Egyptian or Art Deco sources. [28]