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Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which though similar conceptually to digital manipulations, involve physical rather than virtual techniques. Darkroom manipulations are those processes used, for example, to remove unwanted areas and change image background, among others.
A binary image is a digital image that consists of pixels that can have one of exactly two colors, usually black and white. Each pixel is stored as a single bit — i.e. either a 0 or 1. A binary image can be stored in memory as a bitmap : a packed array of bits.
Grayscale images have many shades of gray in between. Grayscale images can be the result of measuring the intensity of light at each pixel according to a particular weighted combination of frequencies (or wavelengths), and in such cases they are monochromatic proper when only a single frequency (in practice, a narrow band of frequencies) is ...
Image embossing is a computer graphics technique in which each pixel of an image is replaced either by a highlight or a shadow, depending on light/dark boundaries on the original image. Low contrast areas are replaced by a gray background. The filtered image will represent the rate of color change at each location of the original image.
John the Baptist (John in the Wilderness), by Caravaggio, 1604, in the Nelson-Atkins Museum of Art, Kansas City. Tenebrism, from Italian tenebroso ('dark, gloomy, mysterious'), also occasionally called dramatic illumination, is a style of painting using especially pronounced chiaroscuro, where there are violent contrasts of light and dark, and where darkness becomes a dominating feature of the ...
Monochrome photography is photography where each position on an image can record and show a different amount of light (), but not a different color ().The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography.
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A sheet of photographic paper is exposed to the light coming through the negative, resulting in a positive version of the image on the paper. When making black-and-white prints, a safelight is commonly used to illuminate the work area. Since the majority of black-and-white papers are sensitive to only blue, or to blue and green light, a red- or ...
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