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In the spring of 1865, Hall wrote "Jesus Paid It All" "on the fly-leaf of the New Lute of Zion hymnal, in the choir of the Methodist Episcopal Church, Baltimore." [3] [4] [5] Hall then shared the lyrics with her pastor who connected her with the church organist, John Grape (1835-1915), who had recently shared a new tune he had written.
Siionin virret ("Hymns of Zion") is a hymnbook of the Finnish Awakening religious revival movement (Herännäisyys). The hymnal is used in the traditional conventicle 'seurat' which is an informal religious gathering taking often place in homes. Hymns of Zion are also sung in the religious summer festival 'Herättäjäjuhlat' of the Awakening ...
The Primary Hymn Book, Hymns and Songs for Little Children (1936) [335] United Lutheran Church in America. Common Service Book of the Lutheran Church with Hymnal (1917) [286] Hymnal for the Sunday School (1922) [336] Hymns and Prayers for Church Societies and Assemblies (1923) [337] United Norwegian Lutheran Church of America
Emily Hill Woodmansee (March 24, 1836 – October 18, 1906) [1] was an English-born American Mormon poet and hymnwriter. Although only one of her hymns "As Sisters In Zion" is included in the 1985 LDS English language edition of the LDS Church's hymnbook, previous LDS Church hymnbooks have included more of her works.
Carols for Choirs is a collection of choral scores, predominantly of Christmas carols and hymns, first published in 1961 by Oxford University Press.It was edited by Sir David Willcocks and Reginald Jacques, and is a widely used source of carols in the British Anglican tradition and among British choral societies. [1]
Christadelphian hymnody makes considerable use of the hymns of the Anglican and British Protestant traditions [6] (even in US ecclesias the hymnody is typically more British than American). In many Christadelphian hymn books a sizeable proportion of hymns are drawn from the Scottish Psalter and non-Christadelphian hymn-writers including Isaac ...
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David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."