Search results
Results from the WOW.Com Content Network
A rest is the absence of a sound for a defined period of time in music, or one of the musical notation signs used to indicate that.. The length of a rest corresponds with that of a particular note value, thus indicating how long the silence should last.
An eighth note or a quaver is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note.
Note British name / American name Rest Large (Latin: Maxima) / Octuple whole note [3] Long / Quadruple whole note [3] Breve / Double whole note: Semibreve / Whole note: Minim / Half note: Crotchet / Quarter note [4] [5] Quaver / Eighth note For notes of this length and shorter, the note has the same number of flags (or hooks) as the rest has ...
A single eighth note, or any faster note, is always stemmed with flags, while two or more are usually beamed in groups. [16] When a stem is present, it can go either up (from the right side of the note head) or down (from the left side), except in the cases of the longa or maxima which are nearly always written with downward stems.
Two eighth notes (stems up and down) and an eighth rest on the staff. Created for the eighth note article. *Aut: File usage. More than 100 pages use this file. The ...
A single eighth note, or any faster note, is always stemmed with flags, while two or more are typically beamed in groups. [1] In modern practice, beams may span across rests in order to make rhythmic groups clearer. In vocal music, beams were traditionally used only to connect notes sung to the same syllable. [2]
A triple-dotted note is a note with three dots written after it; its duration is 1 + 7 ⁄ 8 times its basic note value. Use of a triple-dotted note value is not common in the Baroque and Classical periods, but quite common in the music of Richard Wagner and Anton Bruckner, especially in their brass parts. [citation needed]
In 6/8 marches, French horns play on: beat 1, the li of 1, beat 2, and the li of 2, (or, 1–la–li–2–la–li, see solmization); thus, the measure is one eighth note, then an eighth rest, then two eighth notes, an eighth rest, then a final eighth note.