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In music theory, an augmented sixth chord contains the interval of an augmented sixth, usually above its bass tone.This chord has its origins in the Renaissance, [2] was further developed in the Baroque, and became a distinctive part of the musical style of the Classical and Romantic periods.
Augmented sixth Play ⓘ.. In music, an augmented sixth (Play ⓘ) is an interval produced by widening a major sixth by a chromatic semitone. [1] [4] For instance, the interval from C to A is a major sixth, nine semitones wide, and both the intervals from C ♭ to A, and from C to A ♯ are augmented sixths, spanning ten semitones.
The term sixth chord refers to two different kinds of chord, the first in classical music and the second in modern popular music. [ 1 ] [ 2 ] The original meaning of the term is a chord in first inversion , in other words with its third in the bass and its root a sixth above it.
Though examples of the tritone substitution, known in the classical world as an augmented sixth chord, can be found extensively in classical music since the Renaissance period, [1] they were not heard outside of classical music until they were brought into jazz by musicians such as Dizzy Gillespie and Charlie Parker in the 1940s, [2] as well as ...
The chord is an augmented sixth chord, specifically a French sixth chord, F–B–D ♯-A, with the note G ♯ heard as an appoggiatura resolving to A. (Theorists debate the root of French sixth chords.) The harmonic function as a predominant is intact, with the chord moving to V7.
However, this does not mean that these notes must be played within an octave of the root, nor the extended notes in seventh chords should be played outside of the octave, although it is commonly the case. 6 is particularly common in a minor sixth chord (also known as minor/major sixth chord, as the 6 refers to a major sixth interval).
Irregular resolution through augmented sixth equivalence Play ⓘ. [1] One common tone, three notes move by half step motion. In music , an irregular resolution is resolution by a dominant seventh chord or diminished seventh chord to a chord other than the tonic .
The augmented sixth is generally used as a dissonant interval most commonly used in motion towards a dominant chord in root position (with the root doubled to create the octave the augmented sixth chord resolves to) or to a tonic chord in second inversion (a tonic triad with the fifth doubled for the same purpose). In this case, the tonic note ...
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