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"Amazing Grace" is a Christian hymn published in 1779, written in 1772 by English Anglican clergyman and poet John Newton (1725–1807). It is possibly the most sung and most recorded hymn in the world, and especially popular in the United States, where it is used for both religious and secular purposes.
Charles H. Spilman and Benjamin Shaw (melody), John Newton (lyrics) Creator United States Air Force Band Articles in which this recording appears Amazing Grace (only jazz version) John Newton William Walker (composer) (only instrumental versions) Nominate and support all. TonyTheTiger (T/C/BIO/WP:CHICAGO/WP:FOUR) 18:52, 14 June 2011 (UTC)
It is one of the earliest known print sources of the tune for "Amazing Grace", given in The Virginia Harmony as "Harmony Grove" and used as a setting for the Isaac Watts hymn "There Is a Land of Pure Delight". [1] The "Amazing Grace" text was not set to this melody until the 1847 Southern Harmony, where the tune was called "New Britain".
The hymn "Amazing Grace" exemplifies a standard form, with a four-line stanza, in which lines with four stressed syllables alternate with lines with three stressed syllables; stressed syllables are rendered in bold. Amazing grace, how sweet the sound that saved a wretch like me. I once was lost, but now am found, was blind, but now I see.
The lyrics of John Newton's Amazing Grace are credited to Staunton Burdett's Baptist Harmony (1834). C. M. is common metre. New Britain is a hymn tune which was first published under other names in the early 19th century, including St Mary's, Gallaher, Symphony, Harmony Grove and Solon.
William Walker. William Walker (May 6, 1809 – September 24, 1875) was an American Baptist song leader, shape note "singing master", and compiler of four shape note tunebooks, most notable of which are the influential The Southern Harmony and The Christian Harmony, which has been in continuous use (republished 2010).
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An 1847 publication of Southern Harmony, showing the title "New Britain" ("Amazing Grace") and shape note music. Play ⓘ. The roots of Southern Harmony singing, like the Sacred Harp, are found in the American colonial era, when singing schools convened to provide instruction in choral singing, especially for use in church services.