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Casket with couples, traces of polychromy, certosina work and naked winged boys above "Wedding casket", with certosina work, and missing parts showing wooden framework, c. 1390–1410. The Embriachi workshop (Italian: Bottega degli Embriachi) was an important producer of objects in carved ivory and carved bone, set in a framework of inlaid wood.
These panels are divided into twelve consecutive sections, surrounding the room on all sides. The artists' use of intarsia (inlaid wood) to render realistic, two-dimensional images of latticework cabinets, drawers, and siding is representative of the rediscovery of linear perspective in mid-15th century Italy. [5]
Although marquetry is a technique separate from inlay, English marquetry-makers were called "inlayers" throughout the 18th century. In Paris, before 1789, makers of veneered or marquetry furniture (ébénistes) belonged to a separate guild from chair-makers and other furniture craftsmen working in solid wood (menuisiers).
Certosina is a decorative art technique of inlaying used widely in the Italian Renaissance period. Similar to marquetry, it uses small pieces of wood, bone, ivory, metal, or mother-of-pearl to create inlaid geometric patterns on a wood base. [1]
During the Renaissance, Florence was renowned throughout Europe as a centre of fine art, particularly in painting, gold gilding, bronze work, and furnishings inlaid with intricate designs in marble or rare wood. The fine craft traditions associated with some of these arts never entirely died out in Florence, and remained well-established up to ...
Geometric figure (1537), intarsia by fra Damiano da Bergamo; Museum of the Basilica of Saint Dominic, Bologna, Italy Intarsia on the First aid kit of Alexander Karađorđević, Prince of Serbia, Historical Museum of Serbia. Intarsia is a form of originally Arab wood inlaying that is similar to marquetry. The start of the practice dates from ...
The images alternate in their subject matter. They depict differing views of development of the city of Alba, actually inventing architectural features. The semicircle of sculptural depictions, thirty-five in all, are of the Renaissance tradition. The builder used different wood types for the inlay in order to create color nuances.
The Antique Furnishings & Wooden Sculpture Museum of Milan is located on the first floor of the Sforza Castle ducal courtyard and it is part of the Sforza Castle's Civic Museum complex. The itinerary is chronologically arranged from the 14th century to the modern times with a particular attention for the Italian and lombardic furniture history.
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