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Adaptive resonance theory (ART) is a theory developed by Stephen Grossberg and Gail Carpenter on aspects of how the brain processes information.It describes a number of artificial neural network models which use supervised and unsupervised learning methods, and address problems such as pattern recognition and prediction.
Pandemonium architecture is a theory in cognitive science that describes how visual images are processed by the brain. It has applications in artificial intelligence and pattern recognition. The theory was developed by the artificial intelligence pioneer Oliver Selfridge in 1959. It describes the process of object recognition as the exchange of ...
Other methods of stimulating initial interest that can lead to emotion involves pattern recognition. Symmetry is often found in works of art, and the human brain unconsciously searches for symmetry for a number of reasons. Potential predators were bilaterally symmetrical, as were potential prey. Bilateral symmetry also exists in humans, and a ...
In psychology and cognitive neuroscience, pattern recognition is a cognitive process that matches information from a stimulus with information retrieved from memory. [1]Pattern recognition occurs when information from the environment is received and entered into short-term memory, causing automatic activation of a specific content of long-term memory.
The book had a wide impact in art history, [1] but also in history (e.g. Carlo Ginzburg, who called it "splendid" [2]), aesthetics (e.g. Nelson Goodman's Languages of Art [3]), semiotics (Umberto Eco's Theory of Semiotics [4]), and music psychology (Robert O. Gjerdingen's schema theory of Galant style music). In Art and Illusion, Gombrich ...
According to the Hockney–Falco thesis, such optical aids were central to much of the great art from the Renaissance period to the dawn of modern art. The Hockney–Falco thesis is a controversial theory of art history , proposed by artist David Hockney in 1999 and further advanced with physicist Charles M. Falco since 2000 (together as well ...
Chapters 2 to 6 describe how to identify and classify patterns on cultural objects such as ceramics, textiles and surface designs. Chapter 2 establishes the mathematical tools required to perform the symmetry analysis of patterns. Chapter 3 introduces the concept of color symmetry, for two-colored and multicolored patterns.
Form perception is the recognition of visual elements of objects, specifically those to do with shapes, patterns and previously identified important characteristics. An object is perceived by the retina as a two-dimensional image, [1] but the image can vary for the same object in terms of the context with which it is viewed, the apparent size of the object, the angle from which it is viewed ...