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"On Fairy-Stories" is a 1947 essay by J. R. R. Tolkien which discusses the fairy story as a literary form. It was written as a lecture entitled "Fairy Stories" for the Andrew Lang lecture at the University of St Andrews, Scotland, on 8 March 1939.
"On Fairy-Stories", the 1939 Andrew Lang lecture at St Andrew's University, is a defence of the fantasy genre. "A Secret Vice" talks about creating imaginary languages, giving background to Tolkien's Quenya and Sindarin. "Sir Gawain and the Green Knight" is a study of the medieval poem of the same name.
Tolkien eventually chose the term elf over fairy. In his 1939 essay On Fairy-Stories, Tolkien wrote that "English words such as elf have long been influenced by French (from which fay and faërie, fairy are derived); but in later times, through their use in translation, fairy and elf have acquired much of the atmosphere of German, Scandinavian ...
He disagreed with Lang's broad inclusion, in his Fairy Book collections, of traveller's tales, beast fables, and other types of stories. Tolkien held a narrower perspective, viewing fairy stories as those that took place in Faerie, an enchanted realm, with or without fairies as characters. He viewed them as the natural development of the ...
Edited by Baillie Tolkien, a daughter-in-law of Tolkien; 1980 Poems and Stories (a compilation of The Adventures of Tom Bombadil, The Homecoming of Beorhtnoth Beorhthelm's Son, On Fairy-Stories, Leaf by Niggle, Farmer Giles of Ham and Smith of Wootton Major) 1981 The Letters of J. R. R. Tolkien (edited by Christopher Tolkien and Humphrey Carpenter)
Tree and Leaf is a small anthology of works by J. R. R. Tolkien published in 1964 [1] and originally illustrated by Pauline Baynes which consisted of: . a revised version of an essay called "On Fairy-Stories" (originally published in 1947 in Essays Presented to Charles Williams)
[6] [32] Tolkien's influence, and his literary criticism, greatly popularized secondary worlds, as his formative essay "On Fairy Stories" termed them. This led to the decline of such devices as dream frames to explain away a fantastical setting. [33]
The medievalist Verlyn Flieger writes that nobody knows where Men go to when they die and leave Middle-earth, and that the nearest Tolkien came to dealing with the question was in his essay On Fairy-Stories. There, "after speculating that since 'fairy-stories are made by men not by fairies', they must deal with what he called the Great Escape ...
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