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Corridos tumbados (Spanish pronunciation: [koˈriðos tumˈbaðos]), also known as trap corridos, is a subgenre of regional Mexican music, specifically of a corrido, with musical elements of a narcocorrido and urbano music. [1] Its style originated in the mid-2010s, later popularized by Mexican musician Natanael Cano starting 2020.
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Some languages have different names for hand and foot digits (English: respectively "finger" and "toe", German: "Finger" and "Zeh", French: "doigt" and "orteil").. In other languages, e.g. Arabic, Russian, Polish, Spanish, Portuguese, Italian, Czech, Tagalog, Turkish, Bulgarian, and Persian, there are no specific one-word names for fingers and toes; these are called "digit of the hand" or ...
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J is I with a twist of the wrist, so that the little finger traces the curve of the printed form of the letter; Z is an index finger moved back and forth, so that the finger traces the zig-zag shape of the letter Z. Both of these "tracings" are made as seen by the signer if right-handed, as shown by the illustrations in this article.
[12] [66] [108] [109] Several features in the painting have led to the positive attribution: a number of pentimenti are evident, most notably the position of the right thumb. The sfumato effect of the face—evidently achieved in part by manipulating the paint using the heel of the hand—is typical of many works by Leonardo. [ 110 ]
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In modern scores, the fingers are numbered from 1 to 5 on each hand: the thumb is 1, the index finger is 2, the middle finger is 3, the ring finger is 4 and the little finger is 5. Earlier usage varied by region. In Britain in the 19th century, the thumb was shown by a cross (+) or number 0 and the fingers were numbered from 1 to 4.