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Illustrator Rune Naito, who produced illustrations of "large-headed" (nitōshin) baby-faced girls and cartoon animals for Japanese girls' magazines from the 1950s to the 1970s, is credited with pioneering what would become the culture and aesthetic of kawaii.
The chibi art style is part of the Japanese kawaii culture, [9] [10] [11] and is seen everywhere from advertising and subway signs to anime and manga. The style was popularized by franchises like Dragon Ball and SD Gundam in the 1980s. It is used as comic relief in anime and manga, giving additional emphasis to a character's emotional reaction.
The Powerpuff Girls stands as one of the very first anime-based cartoons to have actually developed a true Japanese animation based on an American project. [ 49 ] [ 50 ] G.I. Joe , despite it being primarily and notably an American cartoon, film, and toy line franchise, is notable for having quite a handful of anime influences in their animations.
Several female cartoonists picked up on the flapper stereotype, often working in a stylish art deco style, including Ethel Hays (with her comic strip Marianne and her famous cartoon Flapper Fanny), Virginia Huget [2] (Gentlemen Prefer Blondes, Babs in Society), Gladys Parker (Gay and her Gang) and Marjorie Henderson Buell (Dashing Dot).
Ligne claire (French: [liɲ(ə) klɛːʁ]; Dutch: klare lijn [ˈklaːrə ˈlɛin]; both meaning "clear line") is a style of drawing created and pioneered by Hergé, the Belgian cartoonist and creator of The Adventures of Tintin. It uses clear strong lines sometimes of varied width and no hatching, while contrast is downplayed as well. Cast ...
An Internet aesthetic is a visual art style, fashion style, or music genre accompanied by a subculture that usually originates from the Internet or is popularized on it. . Throughout the 2010s and 2020s, online aesthetics gained increasing popularity, specifically on social media platforms, and often were used by people to express their individuality and crea
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[55] [62] The art style of the Group, influenced by Machiko Satonaka and Yukari Ichijō, came to pioneer new visual standards for shōjo manga: finer and lighter lines, beautiful faces that bordered on exaggeration, and panels that overlapped or were entirely borderless. [63] Numerous artists contributed to innovation in shōjo manga during the ...
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