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Mimesis (/ m ɪ ˈ m iː s ɪ s, m aɪ-/; [1] Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, nonsensuous [clarification needed] similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.
This is an accepted version of this page This is the latest accepted revision, reviewed on 2 December 2024. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
The comic-book style is apparent throughout the game and is a core theme, and the game is an adaptation of a comic book of the same name. The chorus of American popular songwriter John Prine's song "Onomatopoeia" incorporates onomatopoeic words: "Bang! went the pistol", "Crash! went the window", "Ouch! went the son of a gun".
Microexpressions were first discovered by Haggard and Isaacs. In their 1966 study, Haggard and Isaacs outlined how they discovered these "micromomentary" expressions while "scanning motion picture films of psychotherapy for hours, searching for indications of non-verbal communication between therapist and patient" [6] Through a series of studies, Paul Ekman found a high agreement across ...
Cozmo is a miniature robot created by Anki.Cozmo's base model, is a small, white and gray robot with red highlights. It makes use of distinct expressions, dubbed the "emotion engine", in order to mimic human emotion.
The intention to mimic natural sounds is not necessarily linked to shamanistic beliefs or practice alone. Katajjaq (a "genre" of music of some Inuit groups) is a game played by women, for entertainment. In some instances, natural sounds (mostly those of animals, e.g. geese) are imitated. [8] [9]
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Girard believed that we cannot truly escape this mimetic desire, and that any attempts to do so would simply land you playing the game of mimesis on a different level. A new desire for peace must develop in order for the violence of scapegoating to end. However, the model for this desire must somehow rise above the tendency to scapegoat. [5]