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"One Man, One Woman" is a song by ABBA, released on their 1977 album ABBA: The Album. It is that album's third track after "Eagle" and "Take a Chance on Me". [1]Composed by Benny Andersson and Björn Ulvaeus, it has appeared on several compilation albums over the years, such as 1998's Love Stories and 2012's The Essential Collection.
"SOS" is a song by Swedish pop group ABBA. It was released in June 1975 as the fifth single from their self-titled 1975 album. [3] It was released with "Man in the Middle" as the B-side. Agnetha Fältskog, who sang lead, recorded the song in Swedish on her 1975 solo album Elva kvinnor i ett hus. [4] "
Including their releases under their former name "Björn & Benny, Agnetha & Anni-Frid" or "Björn & Benny, Agnetha & Frida", ABBA have released songs for nine studio albums, a Spanish language album, a series of compilations and two live albums. A number of unreleased songs recorded by ABBA have not appeared on any of these releases.
Björn and Benny are the lead vocalists on this song. [4] The song includes an electric piano and a synth bass. The song has a chord-per-bar pattern that is sometimes broken due to filigree. [clarification needed] [5]
ABBA: Let the Music Speak describes "Elaine" as a "bold and brazen up-tempo number", adding that it has a "wealth of treated synth effects". The pace remains the same throughout the song, and the intro has a "melodic riff that is squeezed and contorted over a series of suspended chords". This is followed by a "whistlable refrain". [2]
On 23 April 2012 a Deluxe version of The Visitors was released. One of its bonus tracks was a demo medley of "Like an Angel Passing Through My Room" called "From a Twinkling Star to a Passing Angel" put together by Benny Andersson, who feels that the song is one of the best that he and Björn wrote during the ABBA years, but is uncertain whether the final version is the ultimate one.
The song has a "piano and guitar-led instrumental". [1] Many of ABBA's pieces are full of "thematic throwaways of the rich folk music culture [of Sweden]". This song is a "solo vehicle" in which to indulge in classical music. The grand piano is the central instrument, layered by a "flamboyant network of synth textures and brass punches".
Emily Zemler of Rolling Stone calls "Just a Notion" "buoyant" and a "hopeful, upbeat song." [8] Devon Ivie of Vulture writes that the song is "a ridiculously happy romp that finds Agnetha, Björn, Benny, and Anni-Frid harmonizing about the joys of flirting while a power piano noodles in the background." [9]
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