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The Breakfast Club is a 1985 American indie [4] [5] teen coming-of-age comedy-drama film written, produced, and directed by John Hughes. It stars Emilio Estevez , Paul Gleason , Anthony Michael Hall , Judd Nelson , Molly Ringwald , and Ally Sheedy .
The episode included several references to The Breakfast Club and ended with a cover of "Don't You (Forget About Me)." The One Tree Hill episode titled "Don't You Forget About Me," broadcast on February 1, 2010, ended with a scene similar to the ending scene of Sixteen Candles. It also contained references to other Hughes movies such as Home Alone.
It may be hard to believe, but Sunday marked thirty years since Principal Vernon supervised a group of five teenagers in the John Hughes classic "The Breakfast Club." So, thirty years later, where ...
The film was announced in July 1984. It was executive produced by Ned Tanen. [2] Tanen also produced The Breakfast Club and it and St. Elmo's Fire were dubbed "The Little Chills", in reference to the film The Big Chill. "These are both movies that no one has ever seen before," said Tanen. [3]
Film critic Janet Maslin praised Hall, stating that the 16-year-old actor and Ringwald were "the movie's standout performers". [18] Hall and fellow co-star Molly Ringwald dated for a short period after filming The Breakfast Club. Later that year, Hall portrayed Gary Wallace, another likable misfit, in Weird Science.
Thirty-six years after appearing as Claire in the “Breakfast Club,” actress Molly Ringwald revisited the cult-classic film with her 10-year-old daughter and was troubled by the crotch scene in ...
The two actresses famously starred in the John Hughes teen classic The Breakfast Club. Nearly 38 years after the film's Feb. 1985 debut, the former Brat Packers caught up for a reunion Ringwald's ...
Kapelos' work in film includes appearances in three John Hughes films, Sixteen Candles, The Breakfast Club, and Weird Science, which all earned him notice in the 1980s as a character actor. [5] He also appeared in 1999's The Deep End of the Ocean, which received praise from both The New York Times [8] and Roger Ebert [9] from The Chicago Sun Times.