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Saint Jerome Penitent and Abraham Served by Three Angels are two paintings by the Italian Renaissance master Antonello da Messina. They are housed in the Pinacoteca Civica, Reggio Calabria. These two panels are considered to be among the first works by Antonello da Messina. [1] They were both intended for devotion of private owners.
Saint Jerome and Abraham panels; Saint Jerome Hears the Trumpet of the Last Judgment; Saint Jerome at Prayer (La Tour) The Dead Christ Adored by Saint Jerome and Saint Dorothy; Della Rovere Chapel; Disputation of the Holy Sacrament; Saint Jerome in His Study (Dürer) St. Jerome in His Study (Dürer, 1521) St. Jerome in the Wilderness (Dürer)
In the painting, Jerome's study is shown as a raised room with three steps, set in a large Gothic building with a colonnade on the right. The room is lit by a complex use of light which, in the Flemish manner, comes from several sources: firstly, from the central arch flow rays come in perspective directions, directing the viewer's gaze to ...
Pages in category "Paintings of Abraham" ... Saint Jerome and Abraham panels This page was last edited on 5 May 2024, at 21:20 (UTC). Text is ...
Antonio da Fabriano – St. Jerome in his Study (1451) Antonello da Messina. Crucifixion (two versions, c.1454-1455) St. Jerome and Abraham panels (c.1455) Andrea del Castagno. Assumption of the Virgin (c.1449-1450) Equestrian Statue of Niccolò da Tolentino (fresco painting, 1456) (Florence Cathedral) Piero della Francesca
Saint Jerome Writing is a painting by the Italian master Michelangelo Merisi da Caravaggio in 1607 or 1608, housed in the Oratory of St John's Co-Cathedral, Valletta, Malta. It can be compared with Caravaggio's earlier version of the same subject in the Borghese Gallery in Rome .
Purchased in 1925 by museum director Dr. W.R. Valentiner, the small Flemish painting at that time was attributed to Petrus Christus. [1] The painting depicts St. Jerome, the 4th-century translator of the Bible, reading in his study, wearing a cardinal's dress and hat. He is surrounded by objects exemplyfying late medieval intellectual life and ...
In Correggio's painting, the naked love goddess Venus is sleeping in the same pose as Jerome, seen from the same sharp angle, her feet towards the picture plane and her body vertical on the canvas. [4] The foreground of the picture is dominated by St. John the Baptist, identified by the long cross and the baptismal wash basin tied at his belt ...