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The Ear ᛠ rune of the Anglo-Saxon futhorc is a late addition to the alphabet. It is, however, still attested from epigraphical evidence, notably the Thames scramasax , and its introduction thus cannot postdate the 9th century.
The unnamed į rune only appears on the Sedgeford Handle. While the rune poem and Cotton MS Domitian A IX present ᛡ as ior, and ᛄ as ger, epigraphically both are variants of ger (although ᛄ is only attested once outside of manuscripts (on the Brandon Pin). R.I. Page designated ior a pseudo-rune. [4] (pp 45–47)
A rune is a letter in a set of related alphabets known as runic alphabets native to the Germanic peoples. ... [4] The name stems from ... ᛡ ior, ᛠ ear. ...
This rune may have been invented because stinging a consonant rune usually marks it as voiced, and the stung b rune violated this norm by being unvoiced. [ 7 ] When the medieval runic alphabet was fully developed in the early 13th century, it mixed short-twig and long-branch runes in a novel manner.
The Leech book has the instruction: "to stop blood, poke into the ear with a whole ear of barley, in such a way that he [the patient] be unaware of it. Some write this:", followed by "either for horse or men, a blood-stauncher".
It is a modification of the plain gyfu rune ᚷ. Old English 'gār' means 'spear', but the name of the rune likely echoes the rune names ger, ear, ior: due to palatalization in Old English, the original g rune (i.e., the Gyfu rune ᚷ ) could express either /j/ or /g/ (see yogh).
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The distinction made by Unicode between character and glyph variant is somewhat problematic in the case of the runes; the reason is the high degree of variation of letter shapes in historical inscriptions, with many "characters" appearing in highly variant shapes, and many specific shapes taking the role of a number of different characters over the period of runic use (roughly the 3rd to 14th ...