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Federal-style architecture is the name for the classical architecture built in the United States following the American Revolution between c. 1780 and 1830, and particularly from 1785 to 1815, which was influenced heavily by the works of Andrea Palladio with several innovations on Palladian architecture by Thomas Jefferson and his contemporaries.
In the 1780s the Federal style of architecture began to diverge bit-by-bit from the Georgian style and became a uniquely American genre. At the time of the War of Independence , houses stretched out along a strictly rectangular plan, adopting curved lines and favoring decorative details such as garlands and urns.
Federal architecture is defined by plain surfaces and facades with a limited use of pilasters. Some federal-style building combine the simple brick-based Georgian architecture with elements of classical design, such as columns and pediments. Most, however, lack these classically inspired elements and are simpler in design.
Particularly high-style examples follow the Louvre precedent by breaking up the facade with superimposed columns and pilasters that typically vary their order between stories. Vernacular buildings typically employed less and more eclectic ornament than high-style specimens that generally followed the vernacular development in other styles.
The Seabury Tredwell House has a Federal-style facade and a Greek Revival interior, though sources disagree on which style is more predominant. [ 10 ] [ 105 ] Huxtable and Town & Country magazine described the Greek Revival style as being more prominent, particularly inside the house, [ 59 ] [ 74 ] and Diamonstein-Spielvogel and journalist ...
Federal modernism is an architectural style which emerged in the twentieth century encompassing various styles of modern architecture used in the design of federal buildings in the United States. [1] Federal buildings in this style shunned ornamentation, focusing instead on functional efficiency and low costs. [ 1 ]
This design was described as elegant since the pieces went together within the interior space. On the facade of the building, the same elegance was used for the entryway. McIntire kept everything proportional to the whole building as well as the details. His style was different from the Adams Style of England due to the simplicity of the work. [4]
Its modest Federal-style facade is actually an early 20th-century alteration. Lining Essex Street east of the Liberty Tree Block are a collection of smaller late 19th-century commercial blocks, three of which have Gothic exteriors, and one has a rare surviving wooden facade from the 1870s.