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Confessions is the fourth studio album by American singer Usher.It was released on March 23, 2004, by Arista Records.Recording sessions for the album took place from 2003 to 2004, with its production on the album being handled by his longtime collaborator Jermaine Dupri, along with Jimmy Jam and Terry Lewis and Lil Jon, among others.
Confessions is the sixth studio album by the American hard rock band Buckcherry.The album was released on February 19, 2013. [2] It is the last Buckcherry album to feature the 15-era lineup, as bassist Jimmy Ashhurst departed the group later in 2013.
True Confessions is the third studio album by British group Bananarama.It was released on 30 June 1986 by London Records.The majority of the album was produced by Tony Swain and Steve Jolley (who produced Bananarama's eponymous second album), with the exception of "Venus" and "More Than Physical".
Confessions on a Dance Floor is the tenth studio album by American singer and songwriter Madonna.It was released on November 9, 2005, by Warner Bros. Records.A complete departure from her previous studio album American Life (2003), the album includes influences of 1970s disco and 1980s electropop, as well as 2000s club music.
"Confessions Part II" was released as the third single from the album, following "Burn". The single was released in the United States as a 12-inch single on August 24, 2004. [ 6 ] It was released in Germany on October 18, and Australia on October 26, 2004, featuring the album and remix version of the track and a song called "Whatever I Want".
Confessions is the best-selling R&B album of the 21st century and is also the best-selling album by a black artist this century. The album ranked second on the 2000–2009 Billboard 200 Decade-end chart. [13] In 2008, Usher issued Here I Stand. Its lead single, "Love in This Club", topped the Hot 100, marking Usher's eighth number-one on the chart.
The confession album, or confession book, [1] was a kind of autograph book popular in late-nineteenth-century Britain. Instead of leaving free room for invented or remembered poetry, it provided a formulaic catechism.
Unwrapping this album is like going on a blind date with a gorgeous airhead. Looks good. Seems fun. But not very clever." [4] At The Phantom Tollbooth, Jerry Bolton rated the album zero tocks, cautioning that "Confessions is a couple bad covers, a handful of flagrant unoriginality, and an earfull of sounds you've already heard elsewhere." [13]