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Hindi wedding songs are a major genre of Hindi film music. [1] They often form the backdrop of some very memorable emotional or joyful scenes in Hindi movies. [ 2 ] They are often played during Indian , [ 3 ] [ 4 ] and other South Asian weddings.
Besides Sindhi folk genres of Bait, Wae and Kafi other Sindhi folk genres include; Lada/Sehra/Geech: in this genre folk songs are song for special days and occasions like weddings, engagements, birth of a child etc, Sehra and Lada are genre of expressing emotions like joy, happiness, sadness etc, it is sung by females in a group, with various Sindhi folk musical instruments like dhul, Thali ...
Traditional Burmese weddings incorporate songs from the Mahāgīta corpus. A bwe song called "Aura of Immeasurable Auspiciousness" (Burmese: အတိုင်းမသိမင်္ဂလာသြဘာဘွဲ့, Ataing Mathi Mingala Awba Bwe) is used as a wedding processional song in traditional Burmese weddings.
The song is known world-wide thanks to the interpretation of South African singer Miriam Makeba (herself a Xhosa). In her discography the song appears in several versions, both with the title Qongqothwane and as The Click Song. The song was written and originally performed by The Manhattan Brothers who made it famous across Africa. Miriam was ...
Wedding (song) Wedding Bell Blues; Wedding Bells (Godley & Creme song) Wedding Bells (Hank Williams song) Wedding Day (song) Wedding Song (There Is Love) Weddings and Funerals; When Did You Stop Loving Me, When Did I Stop Loving You; When I Come Back to You (We'll Have a Yankee-Doodle Wedding) Where've You Been; White Wedding (song) William ...
Some pages of the ECP Trial Hymnal containing some songs in some Igorot languages. (Top-right) Nay Chawatem Ay Apo, a song of praise and (below) Os-os Daongan, a wedding song. The Amoy Hymnal published by the Church of the Province of South East Asia. The Amoy Hymnbook showing a song and part of the service in English and Fookien.
The notion of the traditional or folk music remains a critical part of Punjab society because it aids in the preservation of long-established customs. Life-cycle songs mostly “coincide with ritual occasions and they often mark stages in a ceremony” and can vary in topic ranging from birth to marriage. [16]
"Mairi's Wedding" (also known as Marie's Wedding, the Lewis Bridal Song, or Scottish Gaelic: Màiri Bhàn "Blond Mary") is a Scottish folk song originally written in Gaelic by John Roderick Bannerman (1865–1938) for Mary C. MacNiven (1905–1997) on the occasion of her winning the gold medal at the National Mòd in 1934.
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