Search results
Results from the WOW.Com Content Network
Delphine was the daughter of Dominique Ramel (1777–1860) and the niece of Charles Marcotte d'Argenteuil. She is presented as warm and engaging, devoid of the upper-class pretensions that marked most of his other later-period female portraits. Ingres depicted her in the same pose in a drawing dated 1855 in the Fogg Art Museum.
The portrait is the first female portrait painted during the artist's stay in Rome. [1] Portrait of Madame Duvaucey is acclaimed for exhibiting her enigmatic charm, and as "not a portrait that gives pleasure..[but]...a portrait that gives rise to dreams". [2] Ingres, Study for a Portrait of Madame Duvaucey. Graphite and black chalk.
Portrait of Marie-Françoise Rivière by Ingres, 1805, oval, 115.5 x 90.2 cm. Louvre, Paris. Portrait of Marie-Françoise Rivière (also known as Portrait of Madame Rivière, or la Femme au châle) is a c. 1805 oil-on-canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. [1]
The final painting is considered one of Ingres 's finest later-period portraits of women, along with the Portraits of Comtesse d'Haussonville, Baronne de Rothschild and Madame Moitessier. As with many of Ingres 's portraits of women, details of the costume and setting are rendered with precision while the body seems to lack a solid bone structure.
Self-Portrait at Seventy-Eight, 1858, 62 x 51 cm.. This is an incomplete list of paintings by the French neoclassical painter Jean-Auguste-Dominique Ingres (1780–1867). ). Although he considered himself a classicist in the tradition of Nicolas Poussin and Jacques-Louis David and had a longstanding rivalry with Eugène Delacroix, some of his later works included elements of romanticism and orien
Portrait of Madame de Senonnes, 106 x 84 cm. Jean-Auguste-Dominique Ingres. Portrait of Madame de Senonnes (once known as La Trastéverine) is an 1816 painting by Jean-Auguste-Dominique Ingres. It shows Madame de Senonnes, née Marie-Genevieve-Marguerite Marcoz, viscountess of Senonnes (1783–1828). Marcoz was 31 when the portrait was completed.
Madame Moitessier is a portrait of Marie-Clotilde-Inès Moitessier (née de Foucauld) begun in 1844 and completed in 1856 by Jean-Auguste-Dominique Ingres.The portrait, which depicts Madame Moitessier seated, is now in the collection of the National Gallery in London, which acquired it in 1936.
It was also exhibited under original ownership in 1834 at the Salon (Paris) without its pendant by the same artist, [4] Portrait of Jacques-Louis Leblanc. [6] Ingres's signature is visible at the lower left side of the painting. An oil painting on canvas, it is associated with the Neoclassicism style and sized 119.4 by 92.7 cm (47.0 by 36.5 in ...