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SJK 171 attended the High School of Art and Design along with a number of other early graffiti artists, [4] including Tracy 168 and Al Diaz, co-creator of SAMO, and began writing in 1968 under the name SJK 171. His work was the first triple outline, large colorful letters to appear on the 1 Line of the New York City Transit System.
The primary reason for the change was the fact that in April 1997 Xerox had sued PalmSource, Inc. over its use of Graffiti. [2] After a legal fight lasting a number of years, and despite the dismissal of the case by a federal judge, Xerox won a reversal late in 2001 in the U.S. Court of Appeals.
Complex and elaborate graffiti writing had previously been known by various names such as "mechanical letters" and "bubble letters". Its first instances were generated as early as 1970, by prominent writers like RIF, Phase 2, and Stan 153 and the crews that they founded in the early 1970s centered around Manhattan subway lines and surrounds.
Tagging crew names are usually three letters, but can be two to five letters long. The letters are abbreviations of the full crew name. Numbers in crew name can be derived from many things such as the alphabet sequence (1=A, 2=B, 3= C....), telephone keypad numbers (2=A, B, or C; 3=D, E or F), area codes, or penal codes or a combination of ...
A hollow throw up using the letters SPLEEN. Note the consistency in letter form and height. Throw ups, [a] or throwies, are a form of graffiti that fall between tags and pieces in complexity. [1] The name comes from the way they are designed to be "thrown" onto a surface as quickly as possible. They are almost always done with aerosol paint. [2]
A heavily tagged subway car in New York City in 1973. By the mid-1970s, most standards had been set in graffiti writing and culture. The heaviest "bombing" in U.S. history took place in this period, partially because of the economic restraints on New York City, which limited its ability to combat this art form with graffiti removal programs or transit maintenance.
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A piece using the letters EKOM. Pieces, short for masterpieces, are a form of graffiti that involves large, elaborate and detailed letter forms. They are one of the main forms of modern graffiti, along with tags and throw ups, and are the least controversial of the three [1] and least likely to be seen as vandalism.