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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Hypsos – great or worthy writing, sometimes called sublime; Longinus's theme in On the Sublime. Hysteron proteron – a rhetorical device in which the first key word of the idea refers to something that happens temporally later than the second key word; the goal is to call attention to the more important idea by placing it first.
The Dyer's Hand and Other Essays is a collection of essays and lectures by W. H. Auden, published in 1962 in the US by Random House and in the UK the following year by Faber & Faber. The book contains a selection of essays, reviews, and collections of aphorisms and notes written by Auden from the early 1950s to 1962.
The Anxiety of Influence: A Theory of Poetry is a 1973 book by Harold Bloom on the anxiety of influence in writing poetry. It was the first in a series of books that advanced a new "revisionary" or antithetical [ 1 ] approach to literary criticism .
How to spell commonly misspelled words. The English language is filled with confusing and hard-to-spell words.If you’ve had to think twice or consult a dictionary or Google before writing a ...
The book received numerous positive reviews. For example, Kirkus Reviews wrote, "The best pieces in the book, such as a wonderful essay on Navajo place names, combine this ethic with a profound attention to local knowledge and old ways of knowing; echoing Borges, Momaday proclaims that for him paradise is a library, but also 'a prairie and a plain . . .
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The rule of three can refer to a collection of three words, phrases, sentences, lines, paragraphs/stanzas, chapters/sections of writing and even whole books. [2] [4] The three elements together are known as a triad. [5] The technique is used not just in prose, but also in poetry, oral storytelling, films, and advertising.