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The decibel originates from methods used to quantify signal loss in telegraph and telephone circuits. Until the mid-1920s, the unit for loss was miles of standard cable (MSC). 1 MSC corresponded to the loss of power over one mile (approximately 1.6 km) of standard telephone cable at a frequency of 5000 radians per second (795.8 Hz), and matched closely the smallest attenuation detectable to a ...
The 3 dB bandwidth of an electronic filter or communication channel is the part of the system's frequency response that lies within 3 dB of the response at its peak, which, in the passband filter case, is typically at or near its center frequency, and in the low-pass filter is at or near its cutoff frequency. If the maximum gain is 0 dB, the 3 ...
A graph of the A-, B-, C- and D-weightings across the frequency range 10 Hz – 20 kHz Video illustrating A-weighting by analyzing a sine sweep (contains audio). A-weighting is a form of frequency weighting and the most commonly used of a family of curves defined in the International standard IEC 61672:2003 and various national standards relating to the measurement of sound pressure level. [1]
dBm or dB mW (decibel-milliwatts) is a unit of power level expressed using a logarithmic decibel (dB) scale respective to one milliwatt (mW). It is commonly used by radio, microwave and fiber-optical communication technicians & engineers to measure the power of system transmissions on a log scale , which can express both very large and very ...
A frequency ratio expressed in octaves is the base-2 logarithm (binary logarithm) of the ratio: = An amplifier or filter may be stated to have a frequency response of ±6 dB per octave over a particular frequency range, which signifies that the power gain changes by ±6 decibels (a factor of 4 in power), when the frequency changes by a factor of 2.
For example, an audio amplifier will usually have a frequency band ranging from 20 Hz to 20 kHz and representing the entire band using a decade log scale is very convenient. Typically the graph for such a representation would begin at 1 Hz (10 0 ) and go up to perhaps 100 kHz (10 5 ), to comfortably include the full audio band in a standard ...
Ampex tape recorders in the 1950s achieved 60 dB in practical usage, [26] In the 1960s, improvements in tape formulation processes resulted in 7 dB greater range, [28]: 158 and Ray Dolby developed the Dolby A-Type noise reduction system that increased low- and mid-frequency dynamic range on magnetic tape by 10 dB, and high-frequency by 15 dB ...
dBc (decibels relative to the carrier) is the power ratio of a signal to a carrier signal, expressed in decibels.For example, phase noise is expressed in dBc/Hz at a given frequency offset from the carrier. dBc can also be used as a measurement of Spurious-Free Dynamic Range between the desired signal and unwanted spurious outputs resulting from the use of signal converters such as a digital ...