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The song reached the top of the Hot 100 on June 7 —becoming Madonna's third number-one in the United States— and spent one week in this position. [54] "Live to Tell" was Madonna's third number-one hit in less than 18 months, as well as her second one taken from a movie, following "Crazy for You". [23]
This is a partial list of songs that originated in movies that charted (Top 40) in either the United States or the United Kingdom, though frequently the version that charted is not the one found in the film. Songs are all sourced from, [1] [2] and,. [3] For information concerning music from James Bond films see
The Adventures of William Tell – Gioachino Rossini, lyrics were added by Harold Purcell and were sung by David Whitfield. Adventure Time ("Island Song") – Ashley Eriksson; AEW Dynamite ("Jane") – Jefferson Starship; After Henry (Three Quarter Blues") – George Gershwin; Agatha Christie's Poirot – Christopher Gunning
This song was mentioned in the 2008 Filipino movie My Only Ü. The phrase, included in the song "Kay Sera Sera", features in the 2000 Bollywood film, Pukar. The song plays during the intro of the TV series From (2022–present). The song was used in several trailers and TV spots for Evil Dead Rise.
Tell is a 2014 crime thriller directed by J.M.R. Luna and starring Katee Sackhoff, Jason Lee and Milo Ventimiglia. Written by actor/screenwriter Timothy Williams, it was produced by Haven Entertainment, distributed by Orion Pictures , and was released on December 4.
American singer Barbra Streisand covered the song on her 1971 album, Stoney End. A 1980 cover by Viola Wills peaked at No. 2 for five weeks on the dance/disco charts with a dance version of the song [50] and at No. 80 in Australia. [51] Duane Steele reached No. 32 on the Canadian country charts with his version in 1998. [52]
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Pareles called it a "perfectly calibrated power ballad" which achieved "movie-musical triple duty as love song, vocal showcase and plot pivot". [92] Rolling Stone listed it as the second-best song of 2018 and the 14th-best song of the 2010s; their writer, Brittany Spanos, called it a "classic-rock fantasy where the 1990s never ended". [93] [94]