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In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
Jazz is seen by many as "America's classical music". [12] The earliest Jazz styles, which emerged in New Orleans, Chicago, and New York in the early 1920s, are sometimes referred to as "dixieland jazz." [13] In the 1920s, jazz became recognized as a major form of musical
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work.
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
Chilton adds that these songs "became the core repertoire of jazz musicians" during the period that "stretched roughly from 1920 to 1960". [2] Although several collections of music have been published under the "Great American Songbook" title, the term does not refer to any actual book or specific list of songs.
1920s; 1930s; 1940s; 1950s; 1960s; 1970s; Pages in category "1920s jazz standards" The following 92 pages are in this category, out of 92 total.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Both Europe and the US had critics of jazz in 1924. While the songwriter and music business executive Arnold Shaw wrote in 1989 that "1924 was a 'hot' year in jazz...", [19] a columnist for The New York Times wrote in 1924 that "Jazz is to real music exactly what most of the 'new poetry,' so-called, is to real poetry. Both are without the ...
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