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"Here I Am to Worship" is a song written by Tim Hughes and was released as the title song of his debut album Here I Am to Worship. The song is a popular worship ballad. It is commonly sung at Christian churches, festivals and youth gatherings.
"And like my friend John Mellencamp would sing–because John sang some truth today–'one day you get sick and you don't get better.' That's from a song of his called 'Life is Short Even on Its Longest Days.' It's one of the better songs of the last few years, actually. I ain't lying."
Here I Am to Worship ... Review scores; Source Rating; Allmusic (not rated, no review) link: Here I Am to Worship is an album of Christian music ... "Day After Day" ...
Here I Am (Father's Love) Jonas Myrin Natasha Bedingfield: Shout God's Fame: 9 Here I Am to Worship / Call: Tim Hughes / Darlene Zschech: Hope (1) 10 (CD 1) Ultimate Worship: 8 Here in My Life: Mia Fieldes: Saviour King: 12 Here Now (Madness) Joel Houston Michael Guy Chislett: Empires: 1 Open Heaven / River Wild (Deluxe Edition) 13 Here to ...
The first-century CE rabbi Tarfon is quoted as saying "The day is short, the labor vast, the workers are lazy, the reward great, the Master urgent." (Avot 2:15). A light-hearted version in England, thought to have originated in Shropshire, is the pun "Bars longa, vita brevis" i.e. so many bars (or pubs) to visit, in so short a life.
"Life Is a Long Song" is a song composed by Ian Anderson and first recorded by Jethro Tull. It was released as the lead track on an EP of the same name on 3 September 1971, [1] which reached No. 11 in the UK charts. [2] The song later appeared on the 1972 compilation album Living in the Past. [3]
As opposed to Christian stations that cater to young audiences, Christian AC stations tend to play hits often and for long periods. As a result, number-one singles on the Christian Songs chart often had lengthy stays at the top position. [3] During the 2000s, 44 singles reached the number one position on the Christian Songs chart.
The lyrics were written by a man by the name of Milan Williams, who was an evangelist in the late 1800s. He collaborated with Tillman and reflected his desire to write a song with these lyrics, and apparently the song was completed within a half hour.