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List of Flemish painters This is an incomplete list of Flemish painters , with place and date of birth and death, sorted by patronymic , and grouped according to century of birth. It includes painters such as Rubens from (or mostly active in) the Southern Netherlands , which is approximately the area of modern Flanders and modern Wallonia.
Ambrosius Bosschaert the Elder (18 January 1573 – 1621) was a Flemish-born Dutch still life painter and art dealer. [1] He is recognised as one of the earliest painters who created floral still lifes as an independent genre. [2]
Flemish still life painting at the end of the 17th century showed a preference for decorative effect over naturalistic representation. [11] [12] The trend was initiated by contemporary Flemish artists Jan Baptist Bosschaert and Gaspar Peeter Verbruggen the Younger and was also followed by Pieter's brother Simon as well as Pieter Casteels III ...
Still life of flowers in a gilt urn on a stone ledge. Pieter Casteels III [a] (1684–1749) was a Flemish painter and engraver mainly known for his flower pieces, game pieces and bird scenes. [1] He spent a significant portion of his life in England where he had a varied career as a still life painter, printmaker and textile designer.
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
Jan Frans van Dael or Jean-François van Dael (27 May 1764 – 20 March 1840) was a Flemish painter and lithographer specializing in still lifes of flowers and fruit. He had a successful career in Paris where his patrons included the Empresses of Empire France as well as the kings of Restoration France.
Van den Hecke was born in Kwaremont near Ronse, about 10 km from Oudenaarde, East Flanders.He was registered in the Antwerp Guild of Saint Luke as an apprentice in 1636. . He was a pupil of Abraham Hack, who also taught his contemporary, the flower painter Hieronymus Galle
Hoefnagel did not paint all the works but rather copied from other artists' works including a series of drawings by the Antwerp animal painter Hans Verhagen den Stommen and woodcuts from Konrad Gessner's Historia animalium. The book was an important monument of 16th-century science by providing a compendium of the entire known animal world.
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