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Even of the ceilings conformed to the carved style. There are few grander effects in interior decoration than the intersecting curves and angles of a lofty old Elizabethan ceiling. Of course, in the use of the strap and shield, heraldry and its escutcheons and crests entered largely into the ornament of the Elizabethan.
The Rumford fireplace created a sensation in London when he introduced the idea of restricting the chimney opening to increase the updraft. [5] He and his workers changed fireplaces by inserting bricks into the hearth to make the side walls angled, and they added a choke to the chimney to create a circulation of air inside the chimney.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
Heavy metal firebacks are sometimes used to capture and re-radiate heat, to protect the back of the fireplace, and as decoration. Fenders are low metal frames set in front of the fireplace to contain embers, soot and ash. For fireplace tending, tools include pokers, bellows, tongs, shovels, brushes and tool stands. Other wider accessories can ...
The interior design profession became more established after World War II. From the 1950s onwards, spending on the home increased. Interior design courses were established, requiring the publication of textbooks and reference sources. Historical accounts of interior designers and firms distinct from the decorative arts specialists were made ...
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A Franklin stove. The Franklin stove is a metal-lined fireplace named after Benjamin Franklin, who invented it in 1742. [1] It had a hollow baffle near the rear (to transfer more heat from the fire to a room's air) and relied on an "inverted siphon" to draw the fire's hot fumes around the baffle. [2]
Interior designers and architects throughout time have continuously studied users within a space to design to best fit their needs and wants. King of France, Louis XIV’s Palace of Versailles can be considered having one of the most lavishly decorated living rooms in the late 1600s.