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Visual poetry is a style of poetry that incorporates graphic and visual design elements to convey its meaning. This style combines visual art and written expression to create new ways of presenting and interpreting poetry. [1] Visual poetry focuses on playing with form, which means it often takes on various art styles.
It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers.
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Epitacio Ramos Tongohan (born 19 November 1958), known in global literary circuits as Doc PenPen Bugtong Takipsilim, or simply Doc Penpen, is a medical doctor, indie filmmaker and producer, artist, and poet from Tanay, Rizal, the Philippines, and conferred by different poets organizations in different parts of the globe the title "Father of Visual Poetry". [1]
Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.
Her visual poems have been screened at the American festivals Flashbang! and Flashbang 4 (2001 and 2002), The. ME.Project. (2002; showcased in Toronto, New York and Los Angeles). Her work has appeared in art/poetry books and websites. [1] De Barros has been recognized for "trying to make poetry more dynamic and accessible."
These poems refer directly to aerial views, maps and floor-plans. [10] "The visual construction of the poem 'Shchukin Museum' consisted of a big square divided into several segments, separated by line, with words and names of artists inside of each; one had Matisse, and word associations with his paintings; another Monet with
Ladislao Pablo Győri (Hungarian pronunciation:; born on July 13, 1963, in Buenos Aires, Argentina) is an Argentine engineer, digital and visual artist, essayist and poet, most known as the creator of Virtual Poetry in 1995, [1] which has been described as "of utmost significance in advancing literature as sculptural object in electronic space". [2]