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Visual poetry is a style of poetry that incorporates graphic and visual design elements to convey its meaning. This style combines visual art and written expression to create new ways of presenting and interpreting poetry. [1] Visual poetry focuses on playing with form, which means it often takes on various art styles.
But the heyday of the revival of shaped poetry came in the Baroque period when poets, in the words of Jeremy Adler, "did away with the more-or-less arbitrary appearance of the text, turned the incidental fact of writing into an essential facet of composition, and thereby…created a union of poetry with the visual arts". [7]
Ekphrastic poetry flourished in the Romantic era and again among the pre-Raphaelite poets. A major poem of the English Romantics – "Ode on a Grecian Urn" by John Keats – provides an example of the artistic potential of ekphrasis. The entire poem is a description of a piece of pottery that the narrator finds evocative.
Although conceptual poetry may have freely circulated in relation to some text-based Conceptual art works (during the heyday of the movement), "conceptual writing" was coined as an idea in 2003, while The UbuWeb Anthology of Conceptual Writing was created by Craig Dworkin and Kenneth Goldsmith (the on-line anthology [1] differs from the 2011 print anthology).
Some symbolism appears commonly in works of poetry, fiction, or visual art. For instance, often, a rose symbolizes beauty; a lion symbolizes strength; and certain colors symbolize national flags and thus, by extension, certain nations. [3] The latter is specifically an example of color symbolism.
Phanopoeia or phanopeia is defined as "a casting of images upon the visual imagination," [1] throwing the object (fixed or moving) on to the visual imagination. In the first publication of these three types, Pound refers to phanopoeia as "imagism."
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An eye rhyme, also called a visual rhyme or a sight rhyme, is a rhyme in which two words are spelled similarly but pronounced differently. [1]Many older English poems, particularly those written in Early Modern and Middle English, contain rhymes that were originally true or full rhymes, but as read by modern readers, they are now eye rhymes because of shifts in pronunciation, especially the ...