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Year Title Album 2005 "Stay" Half Empty Half Full "Sorry" "Ulan" 2006 "Can't Let You Go" "24 Hours" "Back to Me" Back to Me "Borrowed Time" 2007
Formed in 1998 in Cebu by Fritz Labrado, Jovan Mabini and Mike Manaloto, the word Cueshé is a portmanteau of "Cue", from banana cue; a snack delicacy in the Philippines, which are skewered bananas coated with caramel, and the pronoun "shé" (pronounced shay) is a reference to their former vocalist, which is a female (she) who joined in 1999.
In 1984, P.D.Q. Bach (a.k.a. Peter Schickele) lampooned the song in his opera The Abduction of Figaro in the aria "Stay with Me". [28] Lyrics from the song were interpolated on reggae artist Buju Banton's song "Hush Baby Hush" on his 1995 album 'Til Shiloh. Australian group Human Nature included their version of the song on the 2014 album Jukebox.
The song marks the second collaboration between the two artists, following Bieber's song, "Unstable", a track from his sixth studio album, Justice (2021). "Stay" reached number one on the Billboard Hot 100, becoming Laroi's first chart-topping single and Bieber's eighth, and additionally topped the Billboard Global 200. Furthermore, it reached ...
On 12 May 2008 the music video premiered on the music channel The Box. The music video for the song has an appearance from Thara, who worked with Jay on Murder and has done several shows with him. The video for the Boy Better Know remix features the members Frisco, Skepta, Chipmunk and Jammer. The video also features MC Zani.
The NFL playoff schedule is about to be set, with the wild-card dates and times for every matchup to be revealed during Week 18.
"Stay" is a song written by Bob Khozouri and Mark Stevens, and originally recorded by American singer Glenn Jones. It was released in 1990 by Jive Records from his fifth album, All for You (1990), reaching number six on the US Billboard Hot Black Singles chart.
"Stay" is an acoustic ballad. [3] It is composed in the key of C major, with a tempo of 86 beats per minute. Malone's vocals span from C 3 to G 4. [4] Billboard said of the track that it has a "1970s AM radio vibe" [3] and described it as "a hybrid of Britpop melody and emo bloodiness". [5]