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The album was popular with critics and audiences, selling over one million copies. [7] In his review of the album music critic, Bruce Eder, noted: "The results are impressive, even though both singers' voices had darkened somewhat since their heyday of the '30s – the dimensionality of stereo separation is not pushed artificially, but the division of the voices and the perspective of the ...
In an episode of One Tree Hill, several lines from "Re-Gaining Unconsciousness" were read aloud, [19] and "The Separation of Church and Skate" was a playable track on Tony Hawk's Underground. Pop-punk band MxPx released a cover of "Franco Un-American" on July 2, 2019, with updated lyrics reflecting the contemporary American political climate.
It was their first album in stereo and "The Uist Tramping Song" gives the three male voices very distinct stereo separation. On this album there are two sea shanties, and only one Jacobite song. For the first time Roy Williamson is given a lead vocal (Verdant Braes O' Screen) but his voice is weak compared to later albums.
The Songs of Separation album was the winner of the "best album" category in the 2017 BBC Radio 2 Folk Awards. [1] This category was decided by a popular vote, so it was a significant achievement for a short-term project with a previously unknown name to win against four established performers in the genre.
Awarding the album four stars at New Release Today, Kevin Davis states, "This is a truly fresh and catchy set of excellent songs for the Church." [ 4 ] Joshua Andre, rating the album four stars from 365 Days of Inspiring Media, writes, "Vertical Church Band has done it again!"
Some pages of the ECP Trial Hymnal containing some songs in some Igorot languages. (Top-right) Nay Chawatem Ay Apo, a song of praise and (below) Os-os Daongan, a wedding song. The Amoy Hymnal published by the Church of the Province of South East Asia. The Amoy Hymnbook showing a song and part of the service in English and Fookien.
Margerine Eclipse was mixed with full stereo separation – or as Stereolab termed it, in "dual mono". [21] For every song, the band made two recordings – each with a different arrangement – then created a final mix by synchronising both recordings together, with one on the left channel and the other on the right channel. [21]
Esquivel's use of stereo recording was notable, and he occasionally employed two bands recording simultaneously in separate studios, such as on his album Latin-esque (1962). That album's song "Mucha Muchacha" makes unusual use of stereo separation, with the chorus and brass rapidly alternating in the left and right audio channels.