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Erick Sermon (born November 25, 1968) is an American rapper and producer. He is best known as one-third—alongside PMD & DJ Scratch —of 1980s/1990s hip hop group EPMD and for his production work.
The duo's name is an acronym for "Erick and Parrish Making Dollars", referring to its members: emcees Erick Sermon ("E" a.k.a. E Double) and Parrish Smith ("PMD" a.k.a. Parrish Mic Doc). During an interview on college radio station WHOV in 1987, Parrish Smith stated that the name evolved from the original: "We were originally known as "EEPMD ...
Keith Omar Murray [3] (born May 29, 1974) is an American rapper from New York. He is best known for being a member of the hip hop group Def Squad, which includes fellow rappers Redman and fellow Long Island native Erick Sermon.
He attended Brentwood High School, [1] and has released four full-length solo albums, one extended play, seven EPMD albums with Erick Sermon, a collaborative album with Japanese hip hop producer DJ Honda, and a collaborative project with Sean Strange and German hip hop group Snowgoons.
Redman (left) has collaborated with Method Man (center) on two full-length albums and Erick Sermon (right) as a member of the Def Squad. In 1998, Redman released his first collaboration album El Nino with group Def Squad .
Erick Sermon; Liam Howlett of The Prodigy used the W-30 as his main songwriting device until 1997's The Fat of the Land and on-stage as a master keyboard up until 2008 [5] Steve Hillier of Dubstar programmed the entirety of the band's first album Disgraceful on a W-30. It was retired for the band's first European tour in 1996 [6]
Between his salary, properties and trust, he holds an estimated net worth of $300 million, according to Celebrity Net Worth. His properties, which include private residences, a winery and a stake ...
The album was produced by members Erick Sermon and PMD, as well as DJ Scratch, with Agallah and Rockwilder serving as co-producers. It features guest appearances from Das EFX, Keith Murray, Nocturnal, and Redman. In the United States, the album peaked at number 16 on the Billboard 200 and number 4 on the Top R&B/Hip-Hop Albums.